Today we're heading to Meknès, a nearby city, for the moussem. Yesterday was the Prophet's birthday, a holiday that sets off a long series of celebrations across the country. The first, and in some ways, most well known, is only a few hours away by taxi. It began yesterday and will continue through tomorrow, so we'll be just in time to catch the height of the celebrations.
Meknès is home to the major shrine to Sheikh al-Kamil, the "patron saint" (if you will) of the 'Aissawa brotherhood. The 'Aissawis are one particular sect of Sufis who I have had the pleasure of working with in the past. Their music is incredibly popular, and the presence of a large group (15 or so members) is a staple for weddings, naming day celebrations, and other life celebrations. They also perform layla rituals, not completely unlike the Gnawa (the sub-Saharan group that made of the bulk of my past research). They foster relationships with some of the same historical figures, saints, and spirits. Further, the ceremonies heal inflicted individuals (spiritually and physically) and provide baraka (blessing) to the families that are present.
During this moussem, I have been told a bit about what to expect, but of course, when you're dealing with religious topics, foreign languages, and multiple perspectives, you really can't get a grasp on what's coming. It will all be a bit of a surprise.
'Aissawa groups, led by flagbearers, will process from the central square to the shrine of Sheikh al-Kamil. They will be performing segments of the ritual, songs that are known to the crowds, and potentially a few things that invite adepts to fna, literally extinction (of the self into Allah). The groups are large, percussion heavy (mostly hand drums of different sorts), and include a few wind players. They usually have two or three 6-foot long trumpets that play complex and coordinated rhythms between them, creating an unexpectedly tight stereo experience. The ghaita, a relative of the oboe, plays long, winding, ornamented melodies alongside the chanting. Each group, I am told, will have a cow. Upon entering the shrine, there is a sacrifice, and celebration ensues once again.
We were warned that if we wear red or black, people who are trancing might try to eat our clothes. Not sure yet what to make of it, but I'm wearing brown.
After this, the mawsim (moussems) continue in two other cities, taking me on a trek across Morocco as I jump full steam into research. Classes are pretty much finished, and now the real work clicks into gear.
Peace
Meknès is home to the major shrine to Sheikh al-Kamil, the "patron saint" (if you will) of the 'Aissawa brotherhood. The 'Aissawis are one particular sect of Sufis who I have had the pleasure of working with in the past. Their music is incredibly popular, and the presence of a large group (15 or so members) is a staple for weddings, naming day celebrations, and other life celebrations. They also perform layla rituals, not completely unlike the Gnawa (the sub-Saharan group that made of the bulk of my past research). They foster relationships with some of the same historical figures, saints, and spirits. Further, the ceremonies heal inflicted individuals (spiritually and physically) and provide baraka (blessing) to the families that are present.
During this moussem, I have been told a bit about what to expect, but of course, when you're dealing with religious topics, foreign languages, and multiple perspectives, you really can't get a grasp on what's coming. It will all be a bit of a surprise.
'Aissawa groups, led by flagbearers, will process from the central square to the shrine of Sheikh al-Kamil. They will be performing segments of the ritual, songs that are known to the crowds, and potentially a few things that invite adepts to fna, literally extinction (of the self into Allah). The groups are large, percussion heavy (mostly hand drums of different sorts), and include a few wind players. They usually have two or three 6-foot long trumpets that play complex and coordinated rhythms between them, creating an unexpectedly tight stereo experience. The ghaita, a relative of the oboe, plays long, winding, ornamented melodies alongside the chanting. Each group, I am told, will have a cow. Upon entering the shrine, there is a sacrifice, and celebration ensues once again.
We were warned that if we wear red or black, people who are trancing might try to eat our clothes. Not sure yet what to make of it, but I'm wearing brown.
After this, the mawsim (moussems) continue in two other cities, taking me on a trek across Morocco as I jump full steam into research. Classes are pretty much finished, and now the real work clicks into gear.
Peace
Hey Chris, Stay safe and warm! Have you visited Jajouka yet? You are soooo close, you should at least try to drop in for a day or two and meet some of the musicians! -TN
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